This dominant chord's root / starting note is the 5th note (or scale degree) of the phrygian mode. For example, the interplay of voices leads to the desire for leading tones in dominant harmony, so that a performer or composer is tempted to sharp the 7th in Dorian or Mixolydian or Phrygian. The phrygian dominant scale can also be formed by raising the third degree of a standard phrygian modal scale. Spanish Gypsy Scales (Phrygian Dominant) The Spanish Gypsy Scale is a common name for the Phrygian Dominant Scale (a.k.a. Use the form below to select one or more scales, hit "Go", and the harmonizer will tell you what chords will sound good when played with the selected scales. Just like a minor chord, the diminished chord is constructed using a minor third interval, so the roman numeral is shown in lower case. It’s a great chord to give a song a twist by adding this in a cadence or using it as an intro or interlude pedal point. I’ve chosen to do all examples in this lesson with an A7sus4(b9), mainly because it makes it a bit easier to play the chord voicings over the open A string in the examples. Important: The fretboard is shown with the lowest pitch string at the bottom and the highest pitch string at the top (unless you've tuned your instrument differently.) Therefore, you can play the phrygian dominant scale over any chord progression you come up with using those chords. The roman numeral for number 5 is 'v' and is used to indicate this is the 5th triad chord in the mode. So Mixolydian then becomes indistinguishable from Ionian (major), and Dorian turns into melodic minor. Show me chords that sound good with an E Phrygian Dominant scale. Scale diagrams can also be labeled with either letters or scale degrees. Chord and voicings. a G# rather than a G), you’ll be playing an E Phrygian dominant scale. Hit "Go" to see the result. See this article for shapes: Phrygian Scale Guitar . The first is truth or theory is that the major and minor scales, as well as the chords they produced, can be used interchangeably amongst each other. In a jazz context, the Phrygian dominant scale gets used in a much different situation; generally on a V7 chord, to create an "altered dominant" sound. What that means is that I can either improvise in the key of C major or in the key of A minor. For example, on the chord progression G7 to Cmaj, the G Phrygian dominant scale would be played on the G7 chord, to create a G7b9 sound, which resolves nicely to the Cmaj. The A minor has a G#. Chords that sound good with E Phrygian Dominant scale(s) JGuitar's harmonizer allows you to easily identify chords and scales that will sound good when played together. By playing an E Phrygian scale with a raised third note (i.e. The Phrygian Dominant in jazz is a term used for a sus4(b9) chord. Spanish Phrygian, Spanish Major and, less often, Freygish or Ahava Rabboh Scale, which is Hebrew for the Jewish Scale). These chords work beautifully together, especially as you’re playing them in close proximity on the fretboard. If I analyse this from C major’s perspective it would simply be a C major with a G#. You can also whip out this scale if someone’s chugging on any of the following power chords: A5, Bb5, D5, F5, and G5.

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