You need to make sure that the beater head is evenly tuned, to start with. In some cases, they got the tuning to sound pretty amazing, so it worked out pretty well. Bleed from the cymbals and from the other drums, which can be a real problem for the kick, because it’s driving the entire song and a lot of times, when you’re mixing, you want to gate your kick and snare. These mics will also level up your audio output, making you sound like a professional. These days I’m seeing more Neumann U 47 FET microphones on the outside of a kick drum — in tandem with an inside beater mic — than anything else. But I’ve worked with drummers who won’t take their front head off and refuse to cut a hole in it, and I’ve had to work with that. I usually start with a mic in the middle of the drum pointed at the beater at a 45º angle. There’s air moving even after you hit that drum. What benefit is a recording studio session or a live concert if you constantly have to deal with distorted sounds? Another mic I like to use is the Sennheiser 421 – there are three generations of these and each one provides a slightly different tone. You can buy these pads from Remo (Falam Slam) that do the same thing. I wound up putting a mic on either side of the bass drum, with the front mic out of phase, and the end result was actually pretty good. How to Record a Kick Drum – Example Recordings Step 2 – Choose the right kick drum. Those three together are pretty amazing, because there are lots of situations where you might want to hear the heavy beater sound and even pick up the pedal noise as well. It’s certainly not right for every situation. If I’m going for a darker tone I’ll grab my vintage AKG D12E or an Electro-voice RE20. You need to make sure that the beater head is evenly tuned, to start with. Maybe for live that could work, but for the studio, I’m always working somewhere in the middle of the drum. It depends on the style of music. Required fields are marked *. How to record better tones in your home studio, How to get better results mixing in your home studio, How to use interviews to promote and maximize your message, The services and skills you need to promote and grow your music career, Licensing holiday songs — don’t assume it’s in the public domain, Don’t do it alone: Live music event roles, My overnight success was 15 years in the making. Famous for capturing smooth low end, the wide-range frequency response of the large diaphragm cardioid dynamic Shure SM7B make it Jae’s choice for an inside the kick mic. All the air is moving in and out of that hole, and that air is going to move the diaphragm unnecessarily. Like Paul McCartney’s, “Dance Tonight,” where the whole thing is driven by the kick drum… it just sounds a little more natural, like you’re in the room. Save my name, email, and website in this browser for the next time I comment. There are so many great mics, and so many mic techniques you can use, but the first one I’m typically going to go to is the AKG D112. You’ll get some strange ill effects if you’ve got one side tuned higher than the other. While certainly not a “natural” sound, this approach can be heard on countless recordings and remains many engineers’ go-to strategy for kick drum recording. Getting a great vocal take in the studio I’ve had situations where I’ve changed out the beater, from a felt beater to a wood or a plastic beater to get a little more attack. Psychology and the music producer, Your email address will not be published. The good news is there are many clones of the 47 FET available on the market these days. Your email address will not be published. I wasn’t able to gate the kick and had to work with more of an open sound, which isn’t always a bad thing. The mic of choice for most recording engineers when recording a kick drum is a … The idea here is to use a large diaphragm condenser with fast electronics to really move some air. When learning how to record a kick drum, realize there are no rules. © 2019 Disc Makers Blog. How to record better tones in your home studio You don’t really want to put the mic right behind the beater, facing it straight on, because you can pretty easily over-extend the diaphragm and distort the transformer, as well as produce other unwanted effects. Sometimes I might add a third mic on the beater side, in front of the beater, to pick up the beater sound. It really depends on what you’re trying to capture, as well your budget. Check out Kiva Productions on Facebook. For muffling, I’ve used sandbags, really thin ones, like the ones you might find for physical therapy or something – those things filled with sand are awesome inside a kick drum.

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